The Story of Empire Day

In 1890, Reginald Brabazon, 12th Earl of Meath, was invited by a clergyman acquaintance to address the young men of his congregation. The boys had been lured by the promise of “a half-crown spread for a penny” and the vicar was anxious to find a speaker who might be interesting enough to hold their attention. In an age before the phenomenon of the teenager was recognised, he was having trouble connecting with his youthful audience. After tea and cakes, the Earl decided he would entertain them with tales he had himself enjoyed, of the men who had been awarded the Victoria Cross during the Indian Mutiny. His choice of subject was spot on; the boys were enthralled but it soon became clear that, not only had they never heard about the Indian Mutiny, but nor did they know anything about India.

Meath, Empire map

Lord Meath was appalled. After enquiring with the local schoolmaster he discovered that most pupils’ knowledge of history did not extend beyond Henry VIII.  How, he queried, “could one expect to make patriotic citizens of boys whose knowledge of the Empire stopped four centuries and more before their own time? They knew nothing of Great Britain’s relations with India, with America, or the later swelling Imperial note which resounded through the world, to make Britain not only the greatest political fact but the greatest political fact in the farthest-flung Empire the world has ever seen.”

Meath, an ardent Imperialist wanted the nation’s youth to share his enthusiasm, and, after discovering the situation was similar around the country, made it his personal crusade to educate and disseminate the idea of Empire to a rising generation. Setting up an office in his home, funding his campaign with an annual budget of £5000 provided by his wealthy wife and working with two secretaries, he set to work, lobbying high profile M.Ps. By 1896, he was proposing an Empire Day, first adopted by the province of Ontario the following year.

Meath suggested May 24th, the birthday of Queen Victoria, as the most suitable day to celebrate. It would be a public holiday for all school children around Britain, “with the exception of a couple of hours in the morning, to be spent in exercises of a patriotic and agreeable nature and in listening to lectures and recitations on subjects of an Imperial nature.”

Sphere, Daily Graphic, Wonder Book of Empire

Sir Philip Game during his speech in the Martin Place in Sydney at the celebration of the Empire Day of Combined Patriotic Societies of N.S.W. Next to him in vestment, the Lord Mayor of Sydney, left in the background, the main post office building. Above the people there is a banner with the words 'Empire Day Demonstration'.

The official adoption of Empire Day around the world was gradual. In 1905, Australia recognised the May 24th celebration. In 1916, when Britain was in the tightest grip of war and a reinforcement of national patriotism was called for, King George V officially sanctioned the observance of Empire Day by ordering the Union Jack to be flown from public buildings on that day. Lord Meath however had been encouraging it far longer, though not everyone was as enthused about the idea as he was.  An opinion piece in The Bystander from 1913 had a cynical tone: “Empire Day is over and thousands of little Englanders have once more been reminded there is such an institution as the British Empire. Presumably it is with a view to blaring this fact into their ears that the excellent Lord Meath keeps the celebration so noisily going.” In 1922, the Government of India also officially adopted Empire Day though again, it had been celebrated in that country since 1907.

kneeling with flag, celebrationsOnce established in the mother country, Empire Day was a major event. In 1928, The Sphere magazine reported that 5,000,000 children took part, and in Hyde Park, 100,000 attended a celebration in Hyde Park where they were led in patriotic singing by Dame Clara Butt and the massed marching bands of the Guards played “appropriate songs”. Children in towns and villages around the country would enjoy their day off school, many dressing up in costume, sometimes to take part in a pageant of British history. Invariably, among the fancy dress costumes, there would always be at least one Britannia.

certificate, massed choir

fancy dress, buy empire

Through our eyes, looking back to over a hundred years ago, with the British Empire a dim and distant memory even for the older generation, Empire Day, with its meetings, songs and lectures sit uncomfortably with our current views and concerns over our Imperialist past and the growth of nationalism in the post-Brexit era. Subliminal brainwashing and patriotic jingoism? Or a celebration of the bonds between nations in an Empire where the sun never set? Lord Meath certainly believed it was the latter, and the movement’s motto; “Responsibility. Duty. Sympathy. Self-Sacrifice” indicated there were worthy motives behind the pomp and pageantry of Empire Day. Lord Meath died in October 1929, long before the Second World War and the final dismantling of the Empire he had done so much to promote. In its place, the Commonwealth, founded in 1949 and with King George VI, and now our present Queen as Head. With its programme of initiatives to promote peace, development and justice, the Commonwealth, currently with 53 member states, is a force for good. Commonwealth Day is held in the second week of March, and is therefore further disconnected from the Empire Day in which it is rooted. Nevertheless, pride and participation in the concept of Empire was an integral part of being British in the first half of the twentieth century and on this day a century ago, children across the world would have been looking forward to a day off school.

 

 

 

 

Top Ten Royal Wedding Dresses

What do the names Reville & Rossiter, Handley Seymour, Molyneux and Maureen Baker all have in common?  It’s a quiz question that might stump the most ardent of royal enthusiasts, but add a couple more names – Norman Hartnell, David & Elizabeth Emmanuel or Sarah Burton at Alexander McQueen – and the penny might drop.  They have all had the honour of designing a royal wedding dress and, in some cases, such as Reville and Hartnell, they have answered the royal call more than once.  The name of the designer of Meghan Markle’s wedding dress for her marriage to Prince Harry this coming Saturday remains very firmly under wraps though a shortlist of possible candidates has been drawn up to include the Australian-born but London-based duo Ralph & Russo (designers of the gown Meghan wore for her engagement photos), to stalwarts of British fashion, Stella McCartney or Dame Vivienne Westwood.

All will be revealed on Saturday, but in the meantime, here is our top ten royal wedding dresses from history:

  1. Lady Pamela Mountbatten in Worth, 1960.  Not strictly royal, but not far off, the younger daughter of Earl Mountbatten married David Hicks in a snow storm, the ideal backdrop for her fur-trimmed show-stopping satin gown by Worth.
Lady Pamela Mountbatten, younger daughter of Earl Mountbatten, pictured in her superb wedding dress designed by Worth, for her marriage to interior designer, David Hicks at Romsey Abbey, Hampshire in January 1960. Date: 1960
Lady Pamela Mountbatten, younger daughter of Earl Mountbatten, pictured in her superb wedding dress designed by Worth, for her marriage to interior designer, David Hicks at Romsey Abbey, Hampshire in January 1960. Date: 1960
  1. Princess Elizabeth (Queen Elizabeth II), Norman Hartnell, 1947.  Britain was still in the grip of rationing, but Hartnell’s design, embellished with seed pearls & symbolism, lifted spirits.  James Laver of the V&A declared, “The occasion demanded a poet, and Mr Hartnell has not failed to string his lyre and to ring in tune.”
Group photograph following the wedding of Princess Elizabeth and Prince Philip, Duke of Edinburgh showing the newlyweds with their best man, bridesmaids and page boys. Date: 1947
Group photograph following the wedding of Princess Elizabeth and Prince Philip, Duke of Edinburgh showing the newlyweds with their best man, bridesmaids and page boys. Date: 1947
  1. Princess Alexandra in Mrs James, 1863.  Arriving in England with a gift of fine Brussels lace, the Danish princess was firmly steered towards a gown of English silk and Honiton lace.  The future Queen Alexandra would in time become a style icon, but as a fresh-faced fashion ingénue, she looked perfectly ravishing in this frothy crinoline confection.
The Wedding' Bride in white with six bridesmaids, Groom in blue military costume, two Beefeaters (Yeomen Warders) standing guard
The Wedding’ Bride in white with six bridesmaids, Groom in blue military costume, two Beefeaters (Yeomen Warders) standing guard
  1. Edwina Mountbatten in Reville, 1922  Ticking all the 1920s boxes, Edwina wore the era well.  With those mitten sleeves and the minimal bouquet of lilies, this society girl injected more than a dash of chic into royal weddings.
Lord Louis Mountbatten and Edwina Ashley after their wedding in the church of St. Margaret's in Westminster, pass through the wedding trellis. Date: 1922
Lord Louis Mountbatten and Edwina Ashley after their wedding in the church of St. Margaret’s in Westminster, pass through the wedding trellis. Date: 1922
  1. Princess Anne in Maureen Baker.  Magnificent modesty with a cool 1970s vibe, Princess Anne’s dress, with its high neck and trumpet sleeves echoed the medieval splendour of Westminster Abbey, but its modernity allowed her to shine.
Princess Anne, the Princess Royal seen smiling and waving from the balcony of Buckingham Palace following her marriage to Captain Mark Phillips at Westminster Abbey on 14 November 1973. Prince Edward, now the Duke of Wessex, who served as a pageboy can be seen beside the couple. Date: 1973
Princess Anne, the Princess Royal seen smiling and waving from the balcony of Buckingham Palace following her marriage to Captain Mark Phillips at Westminster Abbey on 14 November 1973. Prince Edward, now the Duke of Wessex, who served as a pageboy can be seen beside the couple. Date: 1973
  1. Lady Diana Spencer in Emmanuel, 1981.  Some say meringue, some say romance, everyone says creased, but “Shy Di’s” gown was the fairytale dream every girl wanted.  Shelve your fashion prejudices for a moment: you’ve got to admit that this was an iconic – and unforgettable – dress.
A photograph of Lady Diana Spencer arriving at St Paul's Cathedral in the City of London for her marriage to Prince Charles, Prince of Wales. Her dress and train, designed by David and Elizabeth Emmanuel is being arranged by her bridesmaids. Crowds of 60000 people lined the streets of London to watch the ceremony on 29th July 1981. Date: 29th July 1981
A photograph of Lady Diana Spencer arriving at St Paul’s Cathedral in the City of London for her marriage to Prince Charles, Prince of Wales. Her dress and train, designed by David and Elizabeth Emmanuel is being arranged by her bridesmaids. Crowds of 60000 people lined the streets of London to watch the ceremony on 29th July 1981. Date: 29th July 1981
  1. Catherine Middleton (Duchess of Cambridge) in Sarah Burton for Alexander McQueen, 2011. Sarah Burton’s take on the precision engineering of the house of McQueen saw it meld effortlessly with the bride’s taste and style: a self-assured, graceful, feminine statement.
Princess Catherine Middleton and Prince William after their wedding ceremony on the balcony of Buckingham Palace with bridesmaids Grace van Cutsem and Margarita Armstrong-Jones, page boys William Lowther-Pinkerton and Tom Pettifer, Queen Elizabeth II, Prince Philip, Pippa Middleton and Prince Harry. Date: 2011
Princess Catherine Middleton and Prince William after their wedding ceremony on the balcony of Buckingham Palace with bridesmaids Grace van Cutsem and Margarita Armstrong-Jones, page boys William Lowther-Pinkerton and Tom Pettifer, Queen Elizabeth II, Prince Philip, Pippa Middleton and Prince Harry. Date: 2011
  1.  Princess Grace of Monaco in Helen Rose, 1956. A gift from her film studio, Grace Kelly’s exquisite, lace gown was a carefully structured and modestly feminine creation that showcased her cool, classic beauty.  A style classic, many saw echoes of Helen Rose’s design in the Duchess of Cambridge’s 2011 McQueen gown.
WEDDING IN MONACO, Grace Kelly, Prince Rainier, 1956 Date: 1956
WEDDING IN MONACO, Grace Kelly, Prince Rainier, 1956 Date: 1956
  1. Princess Marina (Duchess of Kent) in Molyneux, 1934.  A chic fashion icon, the Duchess of Kent did not put a sartorial foot wrong.  Molyneux could have dressed Marina in a bin bag and she’d looked stunning.  But she didn’t have to:  this dress was an elegant 1930s affair with a definite regal aura.
A photograph of the royal wedding between Prince George, Duke of Kent and Princess Marina of Greece. Date: 29th November 1934
A photograph of the royal wedding between Prince George, Duke of Kent and Princess Marina of Greece. Date: 29th November 1934

1.Princess Margaret in Norman Hartnell, 1960.  Breathtakingly simple, a strong silhouette, acres of fabric moulded into shapely discipline.  She’s truly the bridal belle of the ball.

The marriage of HRH The Princess Margaret (1930-2002) to Anthony Armstrong-Jones (1930-). The couple pictured on the balcony of Buckingham Palace acknowledging the cheering crowds after their wedding ceremony on 6th May 1960. Date: 1960
The marriage of HRH The Princess Margaret (1930-2002) to Anthony Armstrong-Jones (1930-). The couple pictured on the balcony of Buckingham Palace acknowledging the cheering crowds after their wedding ceremony on 6th May 1960. Date: 1960

Do you agree with our top ten?  Do let us know your opinions – and enjoy the royal wedding celebrations this weekend.

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Motivational Posters from the Maurice Collins Collection

As we look to the start of a new year, thoughts inevitably turn to New Year’s resolutions and self-improvement.  With the help of the fabulous Maurice Collins collection that we represent here at Mary Evans, we turn the clock back 90 years and take a look at self-improvement 1928-style, through the medium of workplace motivational posters. Never mind mindfulness, forget Feng shui – these posters channel bold, colourful imagery with pithy positivity for the workplace and beyond.

Incentivisation Poster - Gossip
Incentivisation Poster - Look Pleasant
Incentivisation Poster - Who Thought

Parker-Holladay, a now defunct print company, was one producer of these motivational posters, which it made on a subscription basis for business owners to display and disseminate to their employees. Bill Jones, a fictional character created by Parker-Holladay, encouraged punctuality, good self-care, courtesy and teamwork, amongst a raft of other virtues, helping to instill best practice and positive mental attitude in the workplace.

Incentivisation Poster - Late Again
Incentivisation Poster - Health is priceless

Popular in their day, these striking posters fell from favour following the Wall Street Crash and the ensuing Great Depression of 1929, with economic events dealing a heavy blow to the self-made man and his entrepreneurial spirit. Though thankfully the economy is not suffering  today as it did back in 1929, even nearly a century later these images still convey the power of positivity and the beneficial effect this can have in the work place and on an individual’s outlook.

Incentivisation Poster - Criticism
Incentivisation Poster - Tomorrow
Incentivisation Poster - Who Thought
Incentivisation Poster - Worry

Here on The Inquisitive Archivist, these posters march again, on into 2018, with messages that are still pertinent to the workplace today.  Which of Bill Jones’s maxims will you take into 2018? Wishing all our readers a very happy and productive new year!


Incentivisation Poster - Goodbye Old Year

The GREAT Mary Evans Christmas Gift Guide

Tatler Christmas Shopping Guide

Combing the archive to reveal this season’s best buys for all the family.

We’re sorry but it’s becoming unavoidable.  There are just eighteen oh-so-short shopping days to go until Christmas.  As panic buying sets in the length and breadth of the country, FEAR NOT, for help is at hand.  Fling away those gift guides in Sunday supplements, forget about jostling for a parking space in Westfield, throw caution to the wind and CANCEL that Amazon Prime subscription. You don’t need it.* We’ve trawled through history itself in order to help you solve any festive gift-giving dilemmas.  Read on for some vintage inspiration and watch your family’s faces light up this Christmas.

*Did we mention you WILL need a time-travelling machine?

For discerning Uncle Jeremy, the ultimate in loungewear – a velvet smoking jacket from Peter Robinson with silk collar, cuffs and frogging.

Advert for Peter Robinson, gentlemen's clothing 1895

For your tech-loving teenage son – the twin-lens artist hand camera from the London Stereoscopic Company.  He’ll be extra-impressed that it’s the same one used by the Princess of Wales.

Top of any little girl’s wish-list – a toy roadside pub.  Yes, that’s right.  Complete with beer pumps, ashtrays and pork scratchings , this boozer offers instruction in basic arithmetic courtesy of the darts board.

For dear mother, what can be more thoughtful than an electric vacuum cleaner or state-of-the-art Frigidaire?  No more daily shopping, no more drudgery of carpet beating.  Now she can clean carpets all day to her heart’s content.  How kind of daddy.

Frigidaire fridge advert

Stumped again about what to buy Aunty Irene?  The answer is staring you (quite literally) in the face.  Who doesn’t want a cat telephone cosy from Selfridges in their life?  Aunty Irene need fret no more about her phone getting chilly during those winter months.

Cat telephone cosy from Selfridges, 1919

For seven-year-old Nicholas, a Tri-ang model motor car is just the thing.  But how to choose between the Rolls Royce, the Brooklands or the Chevrolet Regal?  Buy all three (they’re just £15 15 shillings each) and you needn’t feel so guilty about packing him off back to Harrow on Boxing Day.

Advertisement for Tri-Ang toy model motor cars

Ever since Grandpapa singed his moustache while using a toasting fork, the need to modernise has been apparent.  Treat him to this 1909 Elkington plate stand and lamp for making flame-free crumpets and toast at the breakfast table.

Stand and lamp for making toast 1909

For that opinionated great-aunt you loathe.  Buy her a horrific dinner gong or match holder.  Do be mindful that these will be re-gifted back to you in her will when she pops her clogs.

Chain smoking Aunty Lil would love a new Ronson lighter.  And why not also buy her a Perfu-mist scent dispenser at the same time?  We can only hope she doesn’t get the two muddled up after one too many gin and dubonnets.

Advertisement for Ronson lighters, 1931

For the newest member of the family, how about a winter bassinette or a wooden horse on wheels from the 1888 catalogue of Dunkley’s of London and Birmingham?  Strictly no actual playing with them though; it’ll seriously affect their valuation on Antiques Roadshow in 130 years’ time.

And finally, you know last year, when your sister bought you that Brian Connolly CD for Christmas and you vowed revenge?  Remember when you dreamed of finding a present that would give her nightmares at night?  Here you go.

Pssst… for actual Christmas presents you can buy today featuring Mary Evans images, visit; Prints-Online.

Open All Hours – 12 amazing shop front displays from history

We’re all familiar with the closing credits of ‘Open All Hours’ when Arkwright, played by Ronnie Barker, goes through the daily chore of dismantling his display of wares before shutting up shop for the evening.  Image then, if you will, the hours it might have taken to put together – and then dismantle – some of these shop fronts?  While the art of retail display might still be seen daily on our high streets, very few can match the level of extravagance masterminded by some Victorian and Edwardian shopkeepers, whose penchant for fussy and highly populated displays mirrored conventional tastes in interior design and fashion.  Butchers and poulterers seem particularly prone to boastful displays, while grocers err towards carefully composed symmetrical layouts using boxes of tea and soap powder.  They obviously took pride in their creations as many photographs show employees, smart in long aprons, posed in front of gleaming windows or just visible among expertly butchered carcasses.

We’ve created a top 12 of our favourite shop front displays from history.  Scroll down to see who occupies the top spot.

12.) The shop window of Schmidt’s famous German delicatessen on Charlotte Street, London, with a vast variety of tinned and preserved goods on display, a taste of ‘Germany in London’.

SCHMIDT'S SHOP WINDOW

11.) Morecambe tourist shop selling everything from hoops to prams.

MORECAMBE TOURIST SHOP

10.) Graham and Withers butchers shop, Bromley, Kent.  Definitely wins the prize for most grisly.

Graham and Withers butchers shop, Bromley, Kent

9.) Shop front in Malmesbury, Wiltshire.

Extraordinary array of game and fish with local butcher

8.) Mr Horner the Butcher sitting proudly in front of his magnificent display of flesh and fowl waiting for the Christmas rush.

BUTCHER'S SHOP

7.) A little OCD evident from the look of the window of the Maypole Dairy in Greenwich.

MAYPOLE DAIRY, GREENWICH

6.) Undies galore at the Parisian Corset Company Ltd.

PARISIAN CORSET CO. SHOP

5.) Display of meat outside a butcher’s shop (unidentified location) with butcher, centre, brandishing a knife in case we should be in any doubt who’s responsible for all those first prize awards.

BUTCHER SHOP DISPLAY

4.)  Luggage shop in Paddington, London.

PADDINGTON LUGGAGE SHOP

3.) Best foot forward. Cobbler’s shop front, St David’s, Pembrokeshire, South Wales.

Cobbler's shop front, St David's, Pembrokeshire, South Wales

2.) Butcher’s shop in High Wycombe, Buckinghamshire. The turkeys (joined by rabbits & a lone pig) are so numerous they literally cover the entire building.

Turkeys galore outside a butcher in High Wycombe

1.) Never knowingly underadvertised. The marvellously named Herbert Fudge, Newsagent, Stationer and Tobacconist of 313 Lee High Road, London.

Herbert Fudge Newsagent 1922

Finding Rupert Brooke – a forgotten photograph album at Mary Evans

Mary and Hilary Evans spent more than fifty years collecting the material that now comprises the library and we’re often asked by visitors what proportion of the analogue archive has actually been scanned. A finger in the wind guesstimate might find us suggesting 15-20%, but the truthful answer to this is we don’t really know.  But what we do know is that it is still possible to unearth incredible treasures containing images that have never made it near a scanner.  While it’s frustrating to find ‘perfect’ pictures hidden away, the fact that we are still lucky enough to experience that sharp thrill of discovery more than compensates.

Image copyright (c) Mary Evans Picture Library
Cuthbert Grasemann in his rooms at Trinity College, Cambridge University (Picture number 11107622)

A case in point is a photo album recently discovered neatly filed and catalogued along with others, but apparently untouched for some years. The stained, green binding was fairly unpromising but inside is a superb collection of photographs dating from the late 1890s to the 1930s.  The picture that particularly caught our eye at first was the interior of a Cambridge student’s room in 1911.  Written above it in ink were the words, ‘My rooms.  K. 5. New Court Trinity College Cambridge. 1911’. It may be Cambridge but even so, the room itself is unlike any student digs we might imagine today.  Ornaments are neatly arranged on the mantelpiece of a large fireplace, the walls are adorned with landscapes, and a collection of ukuleles and lutes. Above the picture rail what looks like a hand painted border shows a maritime landscape that includes St. Michael’s Mount.  A small occasional table is draped with an art nouveau style tablecloth on which are placed framed photographs, presumably of family members.  An elegant seat is enhanced by a rather beautiful looking peacock cushion, and the inhabitant of the room sits in the window, a pet cockatoo perched placidly on his knee.

Pupils and teachers at Fretherne House Preparatory School around 1900. From an album owned by Cuthbert Gasemann who is seated 2nd row, third from left. Date: c.1900
Fretherne House Prep School.  Grasemann is middle row, third from left, seated. (Picture number 11107606)

Further investigation soon confirmed that the album belonged to a ‘C. Grasemann’, the student in the picture. He features in most of the album’s other photographs which neatly chart his life and career from boy to man in a series of evocative images, many of which are excellent quality, printed in a generous 10” x 8” format.  The earliest picture, from 1899, is a group photograph from Fretherne House School (a prep school in Welwyn Garden City up until the Second World War).  Two more of Fretherne House take us up to 1904 as which point C. Grasemann became a pupil at Rugby School.  Another photograph shows him cross-legged in the front row of W. N. Wilson’s House.

Members of the Officer Training Corps band at Rugby school in 1905. Top right of the picture is Cuthbert Gasemann, who appears to be holding a tenor horn. This photograph is one of a number in an album compiled by him. Date: 1905
Members of the Officer Training Corps band at Rugby school in 1905. Top right of the picture is Cuthbert Gasemann, who appears to be holding a tenor horn. (Picture number 11107611)

Every boy is annotated in miniscule, spidery writing.  At Rugby, he was in the OTC band, playing the tenor horn by the looks of one photograph.  He was also in the school orchestra and when he went up to Cambridge, became a rower, a sport well-documented in the album.  Not only are there pictures of Grasemann’s rowing crew in action, but there are some beautiful views of Henley Regatta around 1911.

Rowing crew from a Cambridge University college, 1911. Date: 1910
Grasemann’s rowing crew.  He is seated middle row, second from right. (Picture Number 11107618)

 

Together with photographs of college balls, society dinners, winter sports and a fancy dress party in Switzerland (even one of the famous skating couple Mr and Mrs Edgar Syers) these are images that take us back to that extraordinary pre-war era when a young man of Grasemann’s fortunate circumstances would have had the world at his feet.  Except the world was about to slide towards catastrophe.

Grasemann’s war saw him gazetted on 10 June 1915, joining the Royal Engineers as a Lieutenant. The only wartime pictures in the album are a couple of his marriage to Irene Statham on 19 September 1916, while another photograph of him in uniform with a friendly dog arrived with the message, ‘As we can’t come we send our photo’.  All leave had been cancelled.

grasemannww1

Keen to find out more about who C. Grasemann was, some internet sleuthing revealed he was Cuthbert Grasemann (1890-1962) who after the war became the Public Relations and Publicity Officer for British Railways (Southern Region). Armed with this knowledge, some of the later photographs begin to make sense – one charming photograph of the South East and Chatham Railway Travelling Ticket Inspectors Garden Allotment Prize Giving in Catford in July 1922 for instance, or an annual dinner given to staff of the Superintendent of the SE & C Railway.  Another shows him accompanying Sir Malcolm Campbell as he meets the driver of the Bluebird steam train emblazoned on the front with ‘Welcome Campbell’ (presumably this coincides with one of Campbell’s land speed records in the Bluebird – possibly in 1927). One gathering from 1925, an annual reunion dinner of the Railway Operating Division of the Royal Engineers, indicates how he progressed along his particular career path.   He was also the author of two books, ‘English Channel Packet Boats’ in 1939, and ‘Round the Southern Railways Fleet’ in 1946; clearly his job overlapped happily with an enduring personal interest in transport.

Sir Malcolm Campbell shakes hands with the driver of a steam engine with a special plaque on the front reading, 'Welcome Campbell - The Bluebird Special'. Also in the picture, far left, is Cuthbert Grasemann, PR and Publicity Officer for Southern Railways. Presumably he is the one responsible for this meeting. Date: c.1927
Sir Malcolm Campbell shakes hands with the driver of a steam engine with a special plaque on the front reading, ‘Welcome Campbell – The Bluebird Special’. Also in the picture, far left, is Cuthbert Grasemann, PR and Publicity Officer for Southern Railways. Date: c.1927 (Picture number 11107639)

Even without the detective work to uncover his personal story, the photographs in Cuthbert’s Grasemann’s album are a haunting and redolent memento of a lost era. Turning the pages, L. P. Hartley’s opening lines of ‘The Go-Between’, ‘the past is another country’ spring to mind. Especially in the case of the early photographs, this is pre-war Britain as it once was for a privileged few.  One can’t help wondering about the fates of so many of the boys and men in those photographs.  Who made it through the war, and who didn’t.

But there is one more thing that makes this album doubly interesting. Two photographs document a visit to Rugby School by Lord Roberts on 16 February 1906 where he inspected the Rifle Club, an early version of the school’s Officer Training Corps.  Cuthbert Grasemann, who would have been 15 or 16 at the time, can be seen in his bandsman’s uniform standing in line near the back.  In charge of the corps, standing at the front is one 2nd Lt Rupert Brooke.

Lord Roberts, former Commander-in-Chief of the British Army and recipient of the Victoria Cross during the Indian Mutiny, visits Rugby School in February 1906 where he inspects the school's Rifle Club (OTC, Officer Training Corps). The officer in charge of the corps is 2nd Lieutenant Rupert Brooke, poet, who would die in the Aegean during the First World War. Date: 1906
Lord Roberts visits Rugby School in February 1906 where he inspects the school’s Rifle Club (OTC, Officer Training Corps). 2nd Lieutenant Rupert Brooke can be seen standing at the front. (Picture number 11107612)

Brooke is one of Rugby School’s most famous alumni. His father was a housemaster there, and at the time of Lord Roberts’ visit he would have been 18.  Academically gifted, sporty, and with renowned good looks, he would go up to Cambridge in autumn of that year, having won a scholarship to King’s College.  One of the most famous of the Great War poets, the tragedy of Rupert Brooke’s death, from an infected mosquito bite on a French hospital ship in the Aegean Sea off the coast of Skyros on 23 April 1915 caught the public imagination.  Shortly after his death, his poetry collection, ‘1914 and other Poems’ sold 160,000 copies.

With three years separating them, it is unlikely Grasemann was on very close terms with Brooke, but it is clear that he was aware of his significance. Underneath the photograph in which Brooke’s handsome profile is unmistakable, Cuthbert Grasemann has unusually included Brooke’s Christian name in his annotations.  It is probable this album was compiled a number of years after Brooke’s death by which time his name had entered into Great War mythology; a fallen warrior, a ‘young Apollo, golden haired’ as described by the poet Frances Cornford.

Did Mary and Hilary ever notice Brooke’s existence among these photographs? The fact that the entire album has never been catalogued or scanned suggests not; a natural oversight in a collection that numbers thousands and thousands of individual items.  Only on closer examination did I myself notice the picture and it is finds like this that make Mary Evans such a unique place to work.  How they acquired the album in the first place is unknown.  Papers relating to Cuthbert Grasemann are held at the National Archives and the National Maritime Museum.  It seems strange that this album of such exquisite personal photographs should have been sold.  A small pencil inscription on the inside front cover suggests it was bought for £20 – quite possibly some years ago.  Whatever was paid for it, we believe the contents are simply priceless.

Too see a wider selection of photographs from the Cuthbert Grasemann album click here

All images copyright © Mary Evans Picture Library.  Please contact Mary Evans Picture Library is you would like permission to reproduce any of our pictures.