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'Souter Lighthouse'  winter scene with white and red lighthouse, and a red sky. 

2002
The Lighthouses of Maryland

 

As soon as he dies you book a cheap flight,
it’s Christmas Day and a group of odd-balls
cross the Atlantic smiling ironies

still in the hospital you booked a hire car
to drive up the coast to see the candy-box
colours of lighthouses, striped red on white

there’s been snow-fall and you slap yourself because
you didn’t think of weather, but the roads
are open and motels are not afraid

of emotion, empty beaches with big seas
running in are all yours, on each cliff top
there’s a lighthouse tower, some are cafes,

and the aloneness is so amazing
it’s a tonic of freezing air, a manner
of telling him he’s not colder than you

and you ask when you came in from the sea
at what date they built on those sharp rocks
a house with a light now selling a fresh wrap

with a lobster and mayonnaise filling
and an Expresso. You pick up a leaflet
and wonder if you could hire the Fiat

for another week or ten days and see
all the light-houses in Newfoundland
while he waits for you without complaint.

 

© Dilys Wood
Picture 10797067, oil painting by Clive Madgwick

 

Dilys Wood founded Second Light Network of Women Poets in 1994. Her collections are Women Come to a Death (Katabasis, 1997) and Antarctica (Greendale Press, 2008). She has co-edited Second Light’s ARTEMISpoetry and the following anthologies of women’s poetry: Fanfare (2015), Her Wings of Glass (2014), Images of Women (Arrowhead Press, in association with Second Light, 2006), My Mother Threw Knives (Second Light Publications, 2006), Making Worlds (Headland with Second Light, 2003) and Parents (Enitharmon Press, 2000). ARTEMISpoetry is a bi-annual poetry magazine in which all poetry, reviews and articles are by women solely concerned with women’s poetry.