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 : April Love


April Love

A Pre-Raphaelite portrait painting exhibited at the Royal Academy in 1856, a depiction of young love, showing a girl holding her scarf, as she looks around a corner, the artist was inspired by a verse from Tennyson's The Millers Daughter. Ivy was used as a symbol of everlasting life, while roses symbolise love, the scattered petals on the floor could represent the ending of a love affair

Picture No
13789822
Media ID
45158200
Size
2919px x 4925px (4.5MB)
Credit
© CLM Archive Collection / Mary Evans
Source
Painting from William Morris Designer' by Arthur Hughes
Date
1855-1856

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1855-1856 1856 Depiction Ending Everlasting Exhibited Inspired Millers Petals Pre-raphaelite Represent Scattered Symbolise Tennysons Verse


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