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Picture 12946843, painting by Artemisia Gentileschi, 1613-1614

Judith and her Maidservant
by Jacqueline Saphra

 

From her ancient world she seems to rise
and say: Look at this harmless, severed head,
grey fruit in a basket, feast for flies
with added colour: drizzled rills of red
.
Judith and Abra pause in unison,
hold each other, leaning towards the dark.
Listen. What lies beyond? Here’s one man down
but only one. The women lurk and spark,
all fired up. Drunk on the stink of blood,
they linger in the light of this reversal
before they turn to face a useless god.
Perhaps they’ve got away with it, but still
they look for mercy. As the bad blood dries
they offer up their truth, immortalised.

 
 
© Jacqueline Saphra
Picture 12946843, painting by Artemisia Gentileschi, 1613-1614
 
 
Jacqueline Saphra is a poet and playwright. The Kitchen of Lovely Contraptions (flipped eye, 2011) was shortlisted for the Aldeburgh First Collection Prize and her chapbook, If I Lay on my Back I saw Nothing but Naked Women (The Emma Press, 2014), won the Saboteur award for Best Collaborative Work. In 2017, All My Mad Mothers from Nine Arches Press was shortlisted for the T.S. Eliot Prize. In the same year A Bargain with the Light: Poems after Lee Miller was published by Hercules Editions. Her most recent play, The Noises, was produced at The Old Red Lion Theatre in London in 2019. Dad, Remember You Are Dead was published by Nine Arches Press in 2019 and Veritas: Poems after Artemisia is just out from Hercules Editions. Jacqueline is a founder member of Poets for the Planet and teaches at The Poetry School. She is currently writing a sonnet a day charting a journey through lockdown. www.jacquelinesaphra.com Twitter: @jsaphra

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