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Violet, by Vasily Kandinsky, 1923, Russian French Expressionist print, lithograph. Geometrical elements, circles, arcs, triangles, straight lines and curves, mix with irregular hand drawn forms in this abstract lithograph (BSLOC_2017_5_148)

1923
Sonata

 

It starts with a study in curves.

 

Lost in broad daylight, I think in intimate terms

about pencils,

sharpened with grit by a schoolboy

oblivious to Barthes’ empire.

 

Time, the only thing I have not.

 

‘I shall pray for you’ she hissed, leaving.

‘Ashes to ashes’ I laugh,

turn the machine off, move closer to anger.

 

Hands, metal, ankles, metal, eye. Metal! Nerves.

 

I practise benign indifference.

 

I learn about the human squares and circles,

underline the connective distance

between something lost and something irreplaceable

but the empty-sheets-reality comes back

to haunt me.

 

 

© Maria Stadnicka

Picture 11965009, Violet, by Vasily Kandinsky, 1923

 

 

Maria Stadnicka is a Romano-British writer and journalist based in Gloucestershire, UK. She is the winner of twelve National Romanian prizes for poetry and her work appears in International Times, Dissident Voice and in various journals and literary magazines in Australia, Austria, France, Germany, Romania, Moldova, Mexico, the USA and the UK. Her published poetry collections in English are A Short Story about War (Yew Tree Press, 2014), Exitus (Smallminded Books, 2017), Imperfect (Yew Tree Press, 2017) and The Unmoving (Broken Sleep Books, 2018). Her new collection Uranium Bullets is due for publication in 2019 at Cervena Barva Press, Massachusetts, USA. Further information about her work, projects and collaborations can be found at: www.mariastadnicka.com