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The latest craze for feminine  beauty is the tattooing of the back with serpents,  butterflies, etc. This picture  was taken in a London salon.      Date: 1929
Crow

 

Twelve months after the last shedding

I inscribe you in my skin, hooded one,

who from the shading canopy observe

your fledgling young try out their wings.

Your monochrome disguise deters

close scrutiny – the brash pink jay your foil,

while you, unseen, craft tools for winkling

grubs, calculate the drop

required to crack a nut.

Black ink faded to slate grey refreshed

through further needling, skeletal

shades of white etched through dull matt

outline each feather’s vane. It stings.

Scoring you into my breastbone,

down each hard knot on my spine,

a wing to run from scapula to coccyx, poised,

and ready.

 

 

© Amanda Bell, first published in First the Feathers, Doire Press, 2017

Picture 10185998, photograph, 1929,  image copyright Mary Evans / Barnaby’s Picture Library

 

 

Amanda Bell’s publications include First the Feathers (Doire Press, 2017), which was shortlisted for the Strong Shine Award for best first poetry collection; Undercurrents (Alba, 2016), which won a HSA Kanterman Merit Book Award and was shortlisted for a Touchstone Distinguished Books Award; The Lost Library Book (Onslaught, 2017); and the loneliness of the sasquatch, from the Irish by Gabriel Rosenstock (Alba, 2018). Her poem ‘Points’ was on a shortlist of four for the Irish Poem of the Year 2017 in the Irish Book Awards. Her YA novel was shortlisted for the Irish Writers Centre Novel Fair 2020. Amanda has a new collection forthcoming from Doire Press in 2021. She works as a freelance editor specialising in poetry manuscripts, and is assistant editor of The Haibun Journal.