The William Heath Robinson Museum opened in Pinner in October last year, the culmination of many yearsâ fundraising by the West House and Heath Robinson Trust.Â Regardless of how familiar you are with the work of the so-called, âGadget Kingâ, this lovely museum is well worth the trip to the further reaches of the Metropolitan line.Â Located just five minutes or so from Pinner station, the museumâs graceful modern building sits within the picturesque Pinner Memorial Park. Divided into three main spaces, one room is devoted to its rolling programme of exhibitions, Â another tells the story of Heath Robinsonâs career as an illustrator with a third dedicated to workshops and education.
The areaâs connection with Heath Robinson is deeply felt.Â Though he was born in Stroud Green, North London, he moved to Hatch End, near the country village of Pinner with his young family in 1908, an area where his older brother Tom â also an illustrator â was already living.Â In 1918, Will, as he was known, moved to a larger house in Cranleigh, Surrey, but his decade spent in Pinner saw him flourish and find permanent fame as an illustrator, and where, arguably, he produced some of his finest work.
Pinner is no longer the rural idyll it was when Will moved there almost 110 years ago, but it retains a village-like air of tranquility and order, and despite the plethora of chain restaurants now occupying the quaint buildings, the delightfully ancient Queenâs Head pub on the high street, where Will and his friends would regularly congregate for a drink, continues to do a roaring trade.Â In fact, Will and his two elder brothers Tom and Charles, would form part of a group jovially entitled the Loyal Federation of Frothfinders.Â Together they would go on long walks around the Middlesex countryside with convivial breaks along the way at convenient hostelries, a sort of glorified, bucolic pub crawl.Â It seems fitting therefore, that as part of the museumâs latest exhibition, âThe Brothers Robinsonâ which explores the shared and separate talents of Tom, Charles and William Heath Robinson, Paradigm Brewery of Hertfordshire have brewed and bottled a special Frothfinders beer, a move that would most certainly have pleased these ale-loving brethren.
Here at the library, we also have strong connections with William Heath Robinson and his equally talented brothers.Â Mary and Hilary collected many childrenâs books from the so-called âGolden Ageâ of British publishing when lavish gift books were gloriously illustrated and expensively bound.Â Tom, Charles and Will worked both separately and collaboratively on numerous titles we hold here including volumes of Hans Andersonâs Fairy Tales (Will), Old-Time Stories by Charles Perrault (Will) and A Childâs Christmas (Charles).
Beyond book illustration, it was as a cartoonist that Will found true fame, admitting in his autobiography, âMy Line of Lifeâ (also owned by the library), âI was fairly launched on my career as a humorous artistâ of Bruce Ingramâs decision to publish him in The Sketch.Â The Sketch forms part of the Illustrated London News archive housed and managed here at the library.Â His series of First World War cartoons in the magazine, as well as the Illustrated Sporting & Dramatic News, also part of the archive, were hugely popular, prompting soldiers to write to him with suggestions for further absurd contraptions with which to foil the dishonourable machinations of the Germans.Â Many of Willâs Great War cartoons for The Sketch featured in the museumâs first exhibition, âHeath Robinson at Warâ, together with examples of his work from the Second World War when he was still contributing illustrations to The Sketch, underlining his long association with the title.Â The ILNâs run of The Bystander is also a great source for his cartoons during the 1920s, as is The Strand while his advertising work for brands such as Hovis, Ransomeâs Lawnmowers and Mackintosh Toffees, appears frequently.
Perhaps most surprising are many of the exquisite illustrations Charles Robinson contributed to the ILN magazines during the 1920s and 30s; his themes, oozing fantasy, are far more adult and sophisticated than the childrenâs books he is best known for, but retain his trademark romantic watercolour style.
This new exhibition in Pinner promises to display more than sixty pieces of work by the brothers, many of them not previously seen.Â We pulled together our own selection for you to enjoy here, with a reminder that images by William Heath Robinson and Charles Robinson are available for licensing through Mary Evans.Â In the meantime, if youâre looking for something to do one weekend soon, why not make a trip to Pinner?
âThe Brothers Robinsonâ runs from 21 January 2017 to 26 March 2017 www.heathrobinsonmuseum.org